Groningen, Netherlands-The Mola Mola Ossetra is a 350W/8 Ohm full-bridge amplifier, mono, half size chassis. With the Mola Mola Ossetra we have made another significant step in our Proprietary, Mola Mola Trajectum, class D amplifier technology.
The design of the Mola Mola Ossetra amplifier started from a blank sheet, extending its capabilities beyond the highest expectations. In the power supply we realised a significant noise reduction while improving both dynamic and continues output power. Combined with the vastly increased current capabilities of the amplifier output stage, it makes this amplifier able to drive practically any load.
The Mola Mola Ossetra is a full-bridge power amplifier design, the full-bridge output makes the amplifier design fully balanced from input to output. For the Mola Mola Ossetra we designed all new discrete class A gain stages. Using these new gain stages enabled us to revise the gain structure of the entire amplifier. This results in exemplary noise and distortion performance of the complete system.
The amplifier bandwidth of over 100kHz, keeps the frequency response absolutely flat within the audio band. The minimal load dependency establishes absolute consistency, irrespective of loudspeaker load. The input stage distortion is below our current measurement threshold at approximately -150dB (~0,000003%), ensuring an immaculate power stage performance.
Power supply
Meeting EMI regulations is of course mandatory for electronics equipment. For products with high-end aspirations meeting these regulations is far from sufficient. We set the limits far tighter! With the new power supply this received even more attention, which enabled us to make another step. Next to a significant noise reduction we were able to improve on both dynamic and continues output power. Combined with the vastly increased current capabilities of the amplifier output stage it makes this amplifier able to drive practically any load.
Directly related to the main power supply behavior, is the choice to go for a full-bridge power amplifier design. A full-bridge amplifier is a friendlier and easier load on the power supply, relieving it from some secondary tasks, and making the design less complex. The full-bridge output now essentially makes the amplifier design fully balanced from input to output.
Modulator and feedback system
For the Ossetra we designed all new discrete class “A” gain stages, which create most of the gain needed in this high feedback amplifier design. These gain stages are designed to have high open loop bandwidth, individually tailored to their specific tasks in the loop filter. With these new gain stages we have been able to change the gain structure of the entire amplifier without any ill effects. Thus allowing us to optimize noise and distortion performance of the complete system. The resulting amount of feedback around the power stage is where the real difference is.
Input stage
For the input stage we have also designed new discrete class “A” amplification. The gain stages share some basics with the gain stages further up the signal path, but an input stage has additional requirements. The main tasks for this input stage are to create a high impedance input for the source or preamp, add gain and ensure no DC, or, other signal unrelated noise, enters the power stage.
Our input stages are DC coupled, meaning no capacitors in the signal path which can degrade the sound. In the new input stage we have chosen a similar technique as used in our Makua preamplifier. Here minor DC offsets are corrected and at higher levels a capacitor is placed in the signal path. This is to ensure compatibility with third party products which might not handle this properly further upstream.
New shunt voltage regulators are also used in this input stage. These shunt regulators take noise rejection and output impedance to a new level without the need of cascading multiple regulators. Shunt regulators draw constant current from the power supply, this current can go directly to the load when it is needed, or, dissipated in the shunt when the load does not need it. With the shunt located close to the load, this keeps all AC currents local. The wide bandwidth design ensures behavior of the regulator is constant throughout the entire audio band, making sure it adds as little of its own characteristics as possible.
I/O: Balanced and unbalanced input, selectable by a switch 2 pairs of Furutech binding posts Biwired directly to the amplifier PCB using Kubala-Sosna cable Trigger input (3.5mm jack)
Dimensions and weight: 200mm (W) x 110mm (H) x 355mm (D). Depth includes speaker terminals.
The Vivid Audio Giya Cu retains the iconic looks of the Giya series in an updated (modernized) enclosure which is lighter, stiffer and smoother. In the Giya G3 Cu and Giya G4 Cu models the tapered tubes are now contained within the main enclosure through the use of re-entrant absorbers resulting in a simpler line in keeping with that of Giya G2 and Giya G1 Spirit. The Vivid Audio Giya Cu range incorporates copper-capped upper and lower midrange drivers which were first developed for our flagship Vivid Audio Moya M1. While the use of radially polarized magnet systems in all Vivid products has long been recognized as an effective means of delivering exceptionally low-distortion uncompressed sound, the addition of the copper caps to our in-house produced drivers lowers the 2nd and 3rd harmonic distortion, the latter by a very significant 20 dB, resulting in not only a more palpable soundstage and overall cleaner midrange, but also a subjective improvement in the bass response.
Technical Audio Devices Laboratories, Inc., today announced the TAD-E1AX floor-standing speaker system, representing the latest addition to its Evolution Series of speakers and succeeding the critically acclaimed TAD-E1TX model introduced in 2018.
The TAD-E1AX incorporates a range of enhancements to achieve superior audio performance. The upgraded CST (Coherent Source Transducer) driver features a tweeter with a beryllium diaphragm manufactured using our proprietary vapor deposition technique. This tweeter was previously found in the TAD-ME1TX bookshelf speaker system, which was earlier in 2025. Furthermore, the refined CST driver features an improved midrange with an anodized, coated diaphragm. Structurally, the Acoustic-Filter-Assisted System Tuning (AFAST) mitigates the low-order standing-wave modes in the enclosure, while the Bidirectional ADP (Aero-Dynamic Port) System contributes to the reproduction of rich bass.
Main Features
1) 9 cm CST driver delivers ideal single-point-source sound
The TAD-E1AX incorporates TAD’s proprietary CST driver, which precisely controls the directivity of the concentrically mounted midrange and tweeter across a broad frequency range from the point of matching phase. The 9 cm CST driver delivers clear and solid imaging, as well as natural sound-field reproduction. The midrange cone controls the directional characteristic of the concentrically mounted tweeter to align the phase and directivity of their output in the crossover region. As a result, the CST driver alone achieves wide-range sound reproduction from 420 Hz to 60 kHz, while simultaneously exhibiting a consistent attenuation characteristic and directivity pattern across all frequencies.
2) Tweeter features a 25 mm beryllium diaphragm
The TAD-E1AX employs a lightweight yet rigid 25 mm beryllium diaphragm for its tweeter, manufactured using our proprietary vapor deposition technique. We have applied our computer-analyzed optimization technique, known as Harmonized Synthetic Diaphragm Optimum Method (HSDOM), in the design of the diaphragm’s shape. This technique allows for precise control of the diaphragm’s divided vibrations and piston motions, enabling wide-range sound reproduction of up to 60 kHz.
3) Midrange features a magnesium diaphragm with a high internal-loss characteristic
The midrange diaphragm, crafted from magnesium alloy, exhibits exceptional lightweight and high internal-loss properties. The combination of anodization and coating applied to its surface enhances its hardness and internal loss further. Concurrently, the suppression of even the slightest resonance originating from the connection point of the leading wire to the voice coil ensures distortion-free sound reproduction in the midrange. Furthermore, the arm of the frame basket housing the magnetic circuit has undergone a redesign to achieve significantly enhanced structural strength and facilitate the smoother propagation of sound waves behind the midrange diaphragm.
4) Woofer features an MACC diaphragm
The dual 16 cm woofers employ a Multi-layered Aramid Composite Cone (MACC) diaphragm, comprising laminated layers of woven aramid fabric and non-woven fabric of different material. This design enables the woofers to deliver a rich, clear sound in the low-frequency-range, while simultaneously providing coloration-free sound in the mid-to-low-frequency range. The combination of the refined Linear Drive Magnet Circuit (LDMC) and a corrugated surround made from foamed polycarbonate contributes to exceptional linearity and delivers deep and articulate bass. Furthermore, the woofer basket’s arm has been redesigned to enhance structural strength, enabling it to withstand the powerful movement of the woofer and facilitating smoother sound-wave propagation behind its diaphragm.
5) SILENT enclosure combines strength with an outstanding vibration-dampening characteristic
The TAD-E1AX is housed in a SILENT (Structurally Inert Laminated Enclosure Technology) enclosure, which integrates sturdy birch-plywood braces with medium-density fiberboard (MDF) panels characterized by a high internal loss. This combination imparts exceptional strength and an outstanding vibration-dampening characteristic. Moreover, our ingenuous Acoustic-Filter-Assisted System Tuning (AFAST) effectively mitigates the presence of low-order standing-wave modes inside the enclosure. Concurrently, the strategic placement of carefully selected acoustic absorbent inside the enclosure further suppresses standing waves that could adversely affect the speaker’s sound field and imaging performance.
6) Bidirectional ADP System ensures rich, natural bass
The Bidirectional ADP (Aero-Dynamic Port) System positions a port at the base of the enclosure, with its openings facing the front and rear. The port features a horn-shaped interior that reduces port noise and achieves greater efficiency in driving the port, resulting in clear and responsive sound in the mid-to-low frequency range. The combination of the port flare crafted from die-cast aluminum and the symmetrical front-back layout effectively counteracts the physical force that vibrates the enclosure, thereby contributing to the reproduction of powerful bass. Moreover, the 10 mm-thick steel base plate attached to the enclosure’s bottom enhanced its stability when placed on the floor, counterbalancing the reaction caused by the powerful driving force of the twin woofers.
7) Two color variants to choose from to match room decor
The TAD-E1AX is available in two color variants to cater to room decor preferences. In addition to the black finish (K), which was offered to its predecessor, the TAD-E1AX is also available in a new glossy white finish (GW). Skilled artisans meticulously complete each enclosure, beginning with the application of high-grade, clear coating to the surface and the buffing of the base coating, and finishing with surface polishing. The TAD-E1AX comes standard with non-slip pads for secure placement, a cleaning cloth, and woofer grilles designed to minimize adverse effects on speaker performance.
German luxury audio brand MBL announced that it has found a new owner, the Chinese luxury group Chow Tai Seng Jewelry Co., Ltd., and has successfully completed restructuring procedures.
MBL’s design team and location will remain unchanged, and its German manufacturing will continue.
MBL’s business has been acquired by MBL International GmbH. MBL International is owned by China’s Chow Tai Seng Jewelry Co. Ltd., one of the world’s top 100 luxury goods companies. The company designs and develops high-end jewelry, produces it in its own factories, and sells it through its brands in over 5,000 stores across China.
Chow Tai Seng’s founder, a true audiophile himself, has long been a loyal user of MBL. The group also owns United Audio, a highly successful high-end audio distributor in China that represents several German brands. With the acquisition of MBL, United Audio has now successfully expanded into the audio manufacturing sector.
■A single push-pull output stage with large TO-3P high-output, low-Cob transistors in a four-stage Darlington configuration eliminates sound bleeding while boasting overwhelming driving power. ■A fully discrete, completely non-feedback circuit is used throughout. Its extremely simple configuration consists of a power amplifier with a selector and volume control. Like our flagship A-3, this is a necessary configuration for preserving the clarity of the audio signal. ■The conventional LED bias circuit has been replaced with a newly developed bias circuit, dramatically improving signal-to-noise ratio. ■The circuit that eliminates CR resonance uses ultra-high-quality resistors that maintain impedance up to high frequencies. This achieves both high-quality sound and stability without limiting the bandwidth, maintaining clarity. ■A newly developed, non-impregnated toroidal power transformer is used. By deliberately suppressing the secondary output voltage (maximum amplifier output), current supply capacity is improved. It delivers impressive driving power that bounces and bounces smoothly, even with today’s low-impedance high-end speakers. ■Two XLR and two RCA inputs. ■The relay-based input selector and relay-based resistor-switching volume are faithful to the original.
■Specifications Product Name: A-1 VER2 SF (Premium Silver) / A-1 VER2 BF (Premium Black) Output Power: 40W x 2 (8Ω), 80W x 2 (4Ω) Total Harmonic Distortion: 0.3% (40W 8Ω) Frequency Response: Speaker (8Ω 1W): 2Hz to 200kHz (±1.0dB) Input Sensitivity/Impedance: LINE1 (Balanced): 700mV/16kΩ, LINE2, 3, 4: 700mV/8kΩ S/N Ratio: 110dB (IHF-A Network) Power Supply: AC100V 50/60Hz Power Consumption: 130W (J60065), 40W (Idle) Maximum Dimensions: Main Unit: 430(W) x 109(H) x 418(D) mm Weight 10.0 kg
E-1 ver.2
■In addition to the conventional MC/MM input, an optical cartridge input has been added. Unusually for a product in this class, discrete non-feedback circuits are used for all analog circuits. ■The analog circuit for optical cartridges generously incorporates the New Type-R circuit developed for the E-3. ■The dedicated optical cartridge power supply also uses the same discrete non-feedback regulator as the higher-end model. This is the source of the organic, passionate sound. ■The newly developed, simplified analog circuit has also dramatically improved the sound quality of MC/MM. ■The original LED bias circuit has been eliminated, replaced by a newly developed bias circuit. The signal-to-noise ratio has been dramatically improved.
*The New Type-R circuit is a general term for fully balanced non-feedback circuits consisting of ground-to-ground amplification and ground-to-ground emitter follower. ■Specifications Product Name: E-1 VER2 SF (Premium Silver) / E-1 VER2 BF (Premium Black) Input Sensitivity: MC: 0.4mV, MM: 5mV, OPT: 70mV Gain: MC: 77dB, MM: 55dB, OPT: 32dB Rated Output Voltage: BALANCE: 3.0V, UNBALANCE: 1.5V RIAA Deviation: ±0.3dB MC Load Resistance: 3Ω, 10Ω, 30Ω, 100Ω, 300Ω, 1KΩ MM Load Resistance: 47KΩ Power Supply: AC 100V 50/60Hz Power Consumption: 24W (J60065) Maximum Dimensions: Main Unit: 430(W)×109(H)×409(D)mm Mass Approximately 9.5kg
D-1 ver.2
■The analog circuit uses the New Type-R circuit developed for the E-3, optimized for DAC use. The power supply circuit also generously incorporates the same non-feedback regulator circuit as our higher-end models. ■The ES9038PRO, which boasts a simple design without unnecessary features yet powerful current output, is used for left and right channels independently. Of course, SOULNOTE’s unique NOS mode is also selectable. ■By virtually eliminating the analog LPF, the organic, lively music reproduction inherent to NOS is achieved. This effect is also effective during DSD playback. ■The IV conversion circuit, which is extremely important for achieving richly musical sound, also uses the same resistor IV circuit as our higher-end models. ■A large, unimpregnated toroidal transformer of power amplifier grade is used. In combination with the non-feedback power supply, it enables passionate music reproduction beyond its class.
*The New Type-R circuit is a general term for fully balanced, non-feedback circuits composed of ground-to-ground amplification and ground-to-ground emitter follower. ■Specifications Product Name: D-1 VER2 SF (Premium Silver) / D-1 VER2 BF (Premium Black) Input Format (USB): PCM, DSD (DoP v1.1, ASIO) Input Format (Coaxial/AES/EBU): PCM, DSD (DoP v1.1) Supported Sampling Rate (USB): Up to 768 kHz (PCM) / Up to 22.6 MHz (DSD) Supported Sampling Rate (Coaxial/AES/EBU): Up to 192 kHz (PCM) / 2.8 MHz (DSD64 DoP v1.1) PCM Quantization Bit Depth (USB): 16-bit, 24-bit, 32-bit PCM Quantization Bit Depth (Coaxial/AES/EBU): 16-bit, 24-bit USB Profile: USB 2.0, USB Audio 2.0 Digital Inputs: USB (Type B), 2 Coaxial (SPDIF), AES/EBU Analog Outputs: 1 Balanced, 1 Unbalanced Analog Output Level (Balance): 5.8Vrms Analog Output Level (Unbalanced): 2.9Vrms Frequency Response: 2Hz to 120kHz (+0/-1dB) S/N Ratio: 110dB Total Harmonic Distortion: 0.08% Analog Filter: 1st-order passive Power Supply: 100V AC 50/60Hz Power Consumption: 20W (J60065) Maximum Dimensions: Main Unit: 430(W) x 109(H) x 379(D)mm Weight: 10kg Accessories: Spikes, power cable
To Virgil, McIntosh was more than a product and more than a brand. McIntosh audio products anchored the soundscape of his Louis Vuitton design studio. The system wasn’t just for background sound; it was part of the atmosphere that fueled his creative output. It’s easy to imagine iconic Virgil Abloh pieces taking shape as music flowed through the studio, our blue meters pulsating and vacuum tubes glowing in harmony with the rhythms of his design process, together inspiring ideas that moved across studios, runways, and galleries.
McIntosh x Virgil Abloh – MA8950 Integrated Amplifier Concept
In 2020, Virgil imagined a special series of McIntosh pieces to amplify his mission and share it with the world. The pandemic delayed those conversations, and tragically, Virgil passed away in 2021 after a battle with cancer. But we are now proud to present one of Virgil’s singular pieces: the McIntosh x Virgil Abloh – MA8950 Integrated Amplifier Concept.
It is an unapologetic tribute to Virgil and everyone like him that is bold enough to shape culture and to use music to inspire and create lasting ideas. Finished in vibrant orange, a color Virgil used as a signal of energy, visibility, and disruption, this one-of-one amplifier transforms the classic McIntosh black-and-silver aesthetic into a design statement through Virgil’s lens.
Unveiled on September 30, on what would have been Virgil’s 45th birthday, at “Virgil Abloh: The Codes” at the Grand Palais in Paris, the piece is both homage and evolution. Created with the Virgil Abloh Archive™, it reflects a shared belief: that sound and design are cultural languages.
After 17 remarkable years with PS Audio, our son Scott has let Terri and me know that he’s venturing out on his own. As you can imagine, this is not an easy moment for our PS family. Scott has been integral to our company, our growth, and our community. Yet, as parents, we understand deeply: our children must eventually strike out into the world to make their own mark, to seek fulfillment that goes beyond what mom and dad have built.
And so, while we bite our lips and do our best to smile through a few tears, we are genuinely excited for Scott.
Many of you know Scott as the creator of Sprout, his personal passion project. That little integrated amplifier—beautiful, bold, and unassuming—took the world by storm. Today, it graces the homes of thousands of music lovers around the globe, proving that great sound can be simple, elegant, and accessible.
When Scott came to us and shared his dream of taking Sprout further—to build not just one product but an entire line—what I saw in my son’s eyes was a fire so bright it left no doubt. That fire is not something to temper or hold back. It’s something to fan, to encourage, to celebrate.
And so Scott is setting off to build his own company: Sprout HiFi. We couldn’t be prouder, or more supportive. He will be missed at PS Audio, but his light will continue to shine—and now it will shine in a new way, through a company born of his vision and passion.
If you’d like to follow his journey, sign up for his newsletter by clicking here. It’s the best way to stay in the loop and see what exciting things he has in store.
We hope you’ll join us in cheering him on. The audio world is about to gain something very special, and we can’t wait to see what Scott brings to life.
The HIGH END SOCIETY welcomes Dominique Fils-Aimé, a fascinating artist, as the new brand ambassador of the HIGH END 2026. Under the appropriate theme, “The Power of Music“, the celebrated singer from Montreal personifies power of music to connect us all in lively, creative ways transcending all genres. The HIGH END 2026 will be staged from 4 to 7 June 2026 for the first time in the Austria Center Vienna (ACV), located in the cosmopolitan music city of Vienna – a significant milestone in the history of the key global show for high-end audio technology.
“With Dominique Fils-Aimé, we were able to enlist an extraordinary musician who stands for emotional depth, artistic diversity and audiophile quality”, explains Stefan Dreischärf, Managing Director of the HIGH END SOCIETY Service GmbH. “As brand ambassador of the HIGH END, Dominique underscores the international credo of our trade show to bring together relevant fresh new trends from music, technology and culture.” At the HIGH END Vienna, she will be personally in attendance on site, in addition to being featured as the guest of honor at the opening press conference.
Dominique Fils-Aimé is among the most exciting voices from today’s jazz and soul scene. In her albums, she blends influences from blues, jazz, soul and Afro-American music history with modern realms of sound and a stunning vocal presence. With her songs, both in terms of music and content, the Canadian makes an impactful statement for cultural identity, social justice and artistic freedom. Her releases are acclaimed by critics and have already garnered numerous awards, including several Juno Awards along with nominations for the renowned Polaris Music Prize.
The invitations to the exhibitors to the HIGH END 2026 have already been sent out. The high level of interest in advance of the event, along with the continuous stream of registrations, underscore the enormous appeal of the new Vienna location. Overall, the organizer has experienced a consistently positive response to the change of venue to the Austrian capital, which has engendered a pioneering spirit and created palpable anticipation for the coming event.
Next June, the HIGH END 2026 in Vienna will launch a new culturally inspired chapter – in the heart of a city that like few others stands for musical tradition and a creative future. As the most significant B2B platform of the audio industry, the trade show will once again become the key rendezvous point for manufacturers, representatives and dealers from around the world. Like no other event of its kind, it combines business impetus with unique sound experiences, thrilling the public year after year.
The Aphrodite is positioned at the top of the lineup as an upgraded version of the Horizon model.
It features a new digital heart with a dual power supply consisting of two rectifier tubes and eight KT88 vacuum tubes, as well as a FIFO buffer and an I2S signal reclocking circuit based on an ultra-low-noise crystal oscillator.
Luxman will release a new SACD/CD player, the D-100 CENTENNIAL, a model commemorating the company’s 100th anniversary, in November 2025. The D-100 CENTENNIAL is the successor to the D-10X, released in 2020, and is a new flagship SACD/CD player that features major upgrades to its drive mechanism, digital circuitry, and analog circuitry to support the high audio performance and rich musicality expected of a top-of-the-line model. The disc drive mechanism, which enables quiet and smooth tray opening and closing with a dustproof shutter, uses Luxman’s unique LxDTM-i1 technology, which integrates the transport and main chassis. The 8mm-thick aluminum side frame, 5mm-thick steel top plate, and newly added 8mm-thick aluminum base plate encase the delicate rotating mechanism, ensuring unwavering rigidity that rigidly blocks external vibrations. The D/A converter block is equipped with the latest top-end DAC from the “MUS-IC” series, the BD34302EKV, in a dual mono configuration. Developed as a higher-end chip than the ROHM BD34301EKV used in the D-10X, it incorporates various sound quality-enhancing logic. A newly adopted large crystal oscillator and ultra-low phase noise oscillation IC provide high-precision clock drive for even richer music playback performance. The analog circuitry finally features Luxman’s next-generation LIFES2 amplification feedback engine in a fully balanced configuration. Version 1.1, which features improved error detection accuracy, delivers natural, unrestrained, and dynamic musical expression. The chassis follows the flagship face design, featuring a three-dimensional “waist” between the front panel, which is equipped with a new large, high-resolution OLED display, and the hood. The exquisite contrast created by combining different finishes and shapes emphasizes the component’s presence and the richness and delicacy of the sound. The D-100 CENTENNIAL offers an unprecedented listening experience, with an uncompromising investment and generous use of the latest technologies, befitting a top-end flagship model. It reproduces the music recorded on disc or file source with vivid detail, down to the atmosphere of the stage and the passion of the performers.
Luxman will release the L-100CENTENNIAL, a new integrated amplifier model commemorating Luxman’s 100th anniversary, in October 2025. The L-100CENTENNIAL is Luxman’s first pure Class-A integrated amplifier in nine years, built on the platform of their latest integrated amplifier series with a Class-A operating power amplifier stage thanks to their proprietary LIFES1 core circuit, version 1.1. The latest version of LIFES, version 1.1, further reduces distortion and noise by paralleling the input-stage FETs in the error detection circuit, thereby improving the quality of music playback. The rated output is 20W + 20W at an 8Ω load and 40W + 40W at a 4Ω load, ensuring sufficient power for use in a typical living room or listening room. The ample configuration, with a triple parallel connection in the final stage, delivers rich musical flavor and is packed into the Class-A operating range, resulting in a luxurious specification. The volume section is equipped with the LECUA2 electronically controlled attenuator, which allows for precise volume adjustment in 88 steps to suit the playback situation. By integrating it with a high-quality preamplifier that uses a discrete buffer circuit, it maintains the purity of the transmitted signal while providing high performance by powerfully driving the next stage. Furthermore, the light yellow lighting, which visually represents pure Class A operation, combines with the emotional movement of the needle-type analog meter that responds to the ups and downs of the music being played to actively enhance the playback space. In terms of functionality, it is equipped with a high-quality built-in phono amplifier with MM/MC switchability that allows you to easily enjoy authentic analog record playback, as well as a 7-segment LED volume display, a Φ4.4mm headphone output jack with independent left and right ground wiring, and trigger input/output terminals and external control terminals that allow power linkage with other audio equipment, making it a fully equipped unit that is useful in any music playback situation. The L-100CENTENNIAL is a state-of-the-art pure Class-A integrated amplifier that combines the modern performance of cutting-edge circuit technology with the universal utility performance required of an integrated amplifier, and a Class-A amplification engine that delivers high-purity, high-density music reproduction. For audiophiles seeking the time and environment to immerse themselves deeply in music, this long-awaited product is here, a discerning component that recreates the passionate, realistic atmosphere of a performance in your listening space.
■Electrical Circuitry and Features
The latest version 1.1 of Luxman’s proprietary LIFES amplification feedback engine is installed in the power amplifier circuit.
LIFES 1.1 parallelizes the input stage of the error detection circuit to reduce distortion and noise.
Pure Class A operation with a three-stage Darlington triple-parallel push-pull configuration for rated output of 20W + 20W (8Ω) and 40W + 40W (4Ω).
The new LECUA1000 electronically controlled attenuator provides 88-step high-precision volume control.
The preamp output section includes a 1000W amplifier connected to the next stage. Equipped with a discrete buffer circuit to powerfully drive the power amplifier.
A high-inertia power supply combines a large, highly regulated power transformer with eight high-capacity capacitors (10,000μF each).
The joint circuit board, which handles delicate input and output signals, uses a peel-coat PCB, exclusive to top-grade models, to eliminate dielectric effects caused by resist.
A phono equalizer amplifier circuit compatible with MM/MC for high-quality analog record playback.
Enhanced playback sound. Two-band tone control (BASS/TREBLE) for customizable tone.
Pre-power separation function allows for bi-amp configurations with additional power amplifiers or integration with AV systems.
Mute button on the unit for temporary volume reduction (can also be operated from the remote control).
Auto power save function reduces power consumption when not in use (automatically enters standby mode after 20 minutes of silence or no operation). ([Function can be turned on/off, factory default is off]).
New high-quality relays in the input switching circuit improve left/right separation and crosstalk performance.
Large, low-resistance speaker relays (parallel configuration) for excellent speaker drivability, with direct wiring to the speaker terminals.
Beeline construction optimizes the shortest possible route for audio signals, and a round-pattern wiring board ensures smooth current transmission.
Internal wiring utilizes proprietary OFC wire, with spiral-wrap shielding on each core and unplated cores for natural signal transmission.
■Design & Exterior
A glossy chrome-plated “Centennial” nameplate, exclusive to the 100th anniversary model
An extra-thick front panel with a blaster white finish and a refined aluminum hairline-finish top panel
A light yellow, illuminated, needle-type analog meter with a highly responsive meter unit
A highly visible 7-segment LED volume level indicator (can be turned off) located in the center of the large meter
Equipped with a Class-A power amplifier stage based on LIFES version 1.1. Luxman’s 100th anniversary model, the L-100 CENTENNIAL, delivers high-purity, high-density music reproduction.
Release Date: September 26, 2025
Model Name: JAN Code, Finish/Color: Suggested Retail Price: INTEGRATED AMPLIFIER L-100 CENTENNIAL Pure Class A Integrated Amplifier CENTENNIAL 495813600063-9 Blaster White ¥780,000 (excluding tax) ¥858,000 (including tax) Scheduled for October 2025
Overview
Luxman will release the L-100 CENTENNIAL, a new integrated amplifier commemorating the company’s 100th anniversary, in October 2025. The L-100CENTENNIAL is Luxman’s first pure Class-A integrated amplifier in nine years, featuring a Class-A power amplifier stage based on the platform of their latest integrated amplifier series, powered by their proprietary LIFES1 version 1.1 core circuit. The latest version of LIFES, version 1.1, further reduces distortion and noise by paralleling the input-stage FETs in the error detection circuit, improving the quality of music playback. With a rated output of 20W + 20W at an 8Ω load and 40W + 40W at a 4Ω load, it ensures sufficient power for use in a typical living room or listening room. The ample power available with a triple-parallel final stage configuration delivers rich musical flavor and is condensed into the Class-A operating range, resulting in a luxurious specification. The volume section is equipped with the LECUA2 electronically controlled attenuator, which allows for precise volume adjustment in 88 steps to suit the playback situation. By integrating it with a high-quality preamplifier that employs a discrete buffer circuit, it delivers high performance by powerfully driving the next stage while maintaining the purity of the transmitted signal. Furthermore, light yellow lighting, which visually indicates pure Class A operation, combined with the emotional movement of the needle-type analog meter that responds to the musical undulations being played, actively enhances the playback space. In terms of functionality, it is equipped with a high-quality built-in phono amplifier with MM/MC switchability for easy enjoyment of authentic analog record playback, as well as a 7-segment LED volume display, a Φ4.4mm headphone output jack with independent left and right ground wiring, and trigger input/output and external control terminals that enable power linkage with other audio equipment, making it a fully equipped unit with all the features needed for music playback. The L-100CENTENNIAL is a cutting-edge pure Class A integrated amplifier that combines the modern performance of the latest circuit technology with the universal utility performance expected of an integrated amplifier and a Class-A amplification engine that delivers high-purity, high-density music reproduction. For audiophiles seeking the time and environment to fully immerse themselves in music, this long-awaited product is here: a carefully crafted component that recreates the passionate, realistic atmosphere of a performance in your listening space.
*1 LIFES is an abbreviation for Luxman Integrated Feedback Engine System, developed as an amplified feedback engine for new-generation audio amplifiers. *2 LECUA is an abbreviation for Luxman Electrically Controlled Ultimate Attenuator, a high-quality electronically controlled attenuator.
Rear Panel
Features
■Electrical Circuitry and Functions
The latest version 1.1 of Luxman’s proprietary LIFES amplification feedback engine is installed in the power amplifier circuit.
LIFES 1.1 parallelizes the input stage of the error detection circuit to reduce distortion and noise.
Pure Class A operation with a three-stage Darlington triple-parallel push-pull configuration for rated output of 20W + 20W (8Ω) and 40W + 40W (4Ω).
The new LECUA1000 electronically controlled attenuator provides 88-step high-precision volume control.
The preamp output section includes a power amplifier for the next stage. Equipped with a discrete buffer circuit for powerful amplifier drive
A high-inertia power supply combining a large, highly regulated power transformer and eight high-capacity capacitors (10,000μF each)
The joint board, which handles delicate input and output signals, uses a peel-coat PCB, exclusive to top-grade models, to eliminate dielectric effects caused by resist.
A phono equalizer amplifier circuit compatible with MM/MC for high-quality analog record playback.
A two-band tone control lets you tailor the playback sound to your personal taste. Control Functions (BASS/TREBLE)
Separate pre-power function allows for bi-amp configurations with additional power amplifiers or coexistence with AV systems.
Mute button on the unit for temporarily reducing volume (can also be operated from the remote control).
Auto power save function reduces power consumption when not in use (automatically enters standby mode after 20 minutes of silence or no operation). ([Function can be turned on/off, factory default is off]).
New high-quality relays for improved left/right separation and crosstalk performance in the input switching circuit.
Large, low-resistance speaker relays (parallel configuration) for excellent speaker drivability, with direct wiring to the speaker terminals.
Beeline construction optimizes the shortest route for transmitted audio signals, and a round-pattern wiring board ensures smooth current transmission.
Internal wiring uses proprietary OFC wire with spiral-wrap shielding and unplated cores for natural signal transmission.
■ Design/Exterior
“CENTEN” finish with a glossy chrome finish, exclusive to the 100th anniversary model. “NIAL” nameplate
Extra-thick front panel with a blaster white finish and a top panel with a refined aluminum hairline finish
Light yellow illuminated needle-type analog meter with a highly responsive meter unit
Highly visible 7-segment LED for volume level display (can be turned off) located in the center of the large meter
■ Assembly and Accessories
Loopless chassis structure with an independent construction that isolates the chassis from the effects of increased earth impedance and magnetic fields caused by chassis currents
Compatible with high-quality cables equipped with large plugs RCA input terminals (LINE-1: original high-rigidity type with 20mm pitch, LINE-2-4: 18mm pitch) compatible with even the thickest cables.
Inline (same left and right characteristics) speaker terminals (A/B 2 systems) for easy connection to Y-lugs and banana plugs.
In addition to the standard 6.3mm Φ terminal, the headphone output now features a new 4.4mm Φ terminal with independent left and right ground wiring for significantly improved left and right separation.
Gold-plated AC inlet with a reoriented connector that allows the entire terminal to support the cable weight.
Micro Large, graduated cast-iron legs protect delicate low-level music signals from unwanted vibrations.
Control I/O terminals link remote control signals between compatible devices, enabling future expansion to remote control with other wireless devices.
Trigger I/O terminals enable power synchronization between compatible devices (3.5mm mono jack; daisy chaining is also possible).
The RA-17A high-quality aluminum remote control can also control CD players (compatible with most Luxman CD (SACD) players released after 1996).
Compared to conventional models, The JPA-10000i is a slim, non-twisted power cable with increased conductor cross-sectional area for easy handling.
Specifications
Rated Output: 20W + 20W (8Ω), 40W + 40W (4Ω) Input: 4 separate input/output lines, 1 phono line (switchable between MM/MC), 2 balanced line lines, 1 separate input/output line. 2 speaker outputs (A and B) (simultaneous A and B output possible). Volume Control: New LECUA1000 amplifier circuit. Output Configuration: LIFES 1.1, bipolar, 3-parallel push-pull. Input Sensitivity/Input Impedance: PHONO: (MM) 2.5mV / 47kΩ, (MC) 0.3mV / 100Ω, LINE: 180mV / 47kΩ Total Harmonic Distortion: Less than 0.005% (1kHz/8Ω), Less than 0.015% (20Hz-20kHz/8Ω) Signal-to-Noise Ratio, Frequency Response: LINE: More than 98dB, 20Hz-100kHz (+0, -3.0dB) Accessories [Front Panel] Power Switch, Input Selector, Volume Control, Headphone Jack (Φ6.3mm/Φ4.4mm), Speaker Selector (OFF/A/B/A+B), Tone Controls (BASS/TREBLE), Left/Right Balance, Left/Right Meter, Volume Level LED, Separate, Cartridge (MM/MC), Line Straight, Mute, Remote Control Receiver [Remote Control Only] Subsonic, Mono, Loudness, Meter [Rear Panel] Input/output terminals, ground terminal, balanced phase selector, trigger terminal, control terminal, AC inlet. Power consumption: 250W (Electrical Appliance and Material Safety Act), 190W (no input), 0.4W (standby). Maximum dimensions: 440(W) x 178(H) x 454 (D: including front knob 20mm, rear terminal 27mm), weight: 25.4kg (main unit) / 29.7kg (standard packaging). Accessories: Remote control (RA-17A), power cable (JPA-10000i: with polarity mark).
HARMAN International (“HARMAN”), a wholly owned subsidiary of Samsung Electronics Co., Ltd., today announced it has completed the acquisition of Sound United, the former consumer audio business of Masimo Corporation (NASDAQ: MASI), whose leading audio brands include Bowers & Wilkins, Denon, Marantz, Definitive Technology, Polk Audio, HEOS, Classé, and Boston Acoustics.
HARMAN Announces Future of Sound United
Sound United will remain an independent strategic business unit within HARMAN’s Lifestyle division.
There will be little change to dealer day-to-day operations.
Sales teams, distribution, and supply chains will also remain unchanged for the time being.
There will be many opportunities for collaboration between the combined brands, and global factories will be able to support other brands in various markets.
Bowers & Wilkins factories in the UK will potentially be able to manufacture premium HARMAN-branded speakers.
HARMAN brands, such as Levinson and Arcam, will be able to leverage the expertise of the Shirakawa Audio Manufacturing factory in Japan, which supplies Marantz with electronics products.
SPECIFICATIONS Geometry: 3 way floorstanding vented box loudspeaker. Cabinet:Super-rigid,arch-shaped solid wood structure, decoupled with aluminium-magnesium parts to obtain resonance control. Hand-crafted by master artisans. Tweeter:29mm silk- dome by Ragnar Lian, one of the greatest masters among transducer designer. An ongoing project for 30 years Mid-woofer: legendary, custom made,150 mm microspheres cone,oplimized for the best control of cone break-up. Symmetrical drive motor system. Woofer: 2 x 220 mm microspheres cone, aluminium dust cap. Cross-over:Phase coherent finalized to achieve precise soundstaging,focus and depth of image. Selected premium parts. The electrical cross- over provides completely phase accurate transitions between drivers to preserve the recordings spatial information.
Frequency response: 27Hz-28KHz, in room Nominal impedance:4ohm Sensitivity:89dB/2.83V/1m Minimum power amplifier:25W/channel Max long term power handling:180W Max peak power (music input):450W Dimensions: 1330x305x540(HxWxD) Weight:96 Kg/pair speaker unpacked 114 Kg/pair packed
Once limited. Once sold out. Yet never forgotten. Infinity was more than a cable — it was a milestone. Celebrated, awarded, and cherished, it became a symbol of what happens when innovation meets artistry. Its legacy still echoes: purity, silence, and musical impact without equal.
A New Current Begins!
Dreams do not end. They evolve. They reach further. From the glory of Infinity, a new invention is about to rise — uncompromising in power, limitless in expression. Created for those who believe music should feel infinite, alive. Stay tuned!
Discover our quietest, lowest vibration Transport to date
The Varèse Music System now includes a dedicated CD/SACD Transport, for listeners who wish to experience the best possible sound from their silver discs
The Varèse Music System is our most ambitious creation to date. It is the culmination of six years intensive development – a series of projects undertaken to explore how we could further improve audio performance, whilst at the same time creating an even more immersive playback experience.
The system launched with five components – Core, User Interface, dual Mono DACs, and Master Clock – plus the Varèse Remote and Mosaic ACTUS app. We have now added a dedicated CD/SACD Transport, available from September 2025.
The Varèse Transport builds on our long heritage of developing dedicated components for CD and SACD playback. Its design reflects our overarching ambition with Varèse – to further advance the state-of-the-art, whilst also simplifying system setup and use – and it’s a product we are thrilled to share.
Supporting CD Playback
dCS has been making CD & SACD transports since 2000. Our first, the Verdi, launched at a time when CDs were ubiquitous and the preferred mode of listening for a large portion of music lovers. New technologies have of course emerged, and there are now a multitude of ways to access digital music, but we know there are many listeners worldwide who still enjoy playing CDs and Super Audio CDs in their native format. We also know that many CD and SACD owners have amassed large collections of recordings that are not currently available in any other format.
We believe these listeners should be able to experience the best possible sound from their silver discs, and so we have continued to invest in developing dedicated transports, and exploring how we can improve CD and SACD playback, at the same time as supporting music streaming and playback from a wealth of other digital sources.
When developing products, our goal is always to deliver ‘Only the Music’ – reducing the factors that can affect audio performance such as noise, distortion and vibration to the lowest possible levels, whilst ensuring all aspects of the audio signal are preserved.
The same is true of our transports. We’ve taken extensive measures to reduce noise and vibration and ensure that listeners are able to hear the full range of musical information contained on their CDs and SACDs. This involves paying close attention to all aspects of mechanical and electronic design, selecting the most robust and stable mechanisms, and ensuring that electronics and mechanisms within our Transports are fed with the cleanest possible voltages for optimal performance, among other factors. As our technologies have evolved, we’ve continued to push Transport design, making improvements to software, hardware and chassis constructions so that we can further enhance people’s listening experience.
Varèse Transport: New Features & Innovations
The Varèse Transport continues this tradition. It is the quietest, lowest vibration dCS Transport to date, benefitting from an all-new chassis design, and the use of our bespoke ACTUS interface.
The Transport plays Redbook CDs in their native 44.1kS/s format, and SACDs in their native DSD format. It connects to the Varèse Core via dCS ACTUS, with a single cable running from the Varèse Core to the Transport. This allows for bit perfect transmission of audio signals, with asynchronous audio, control and timing signals all sent via the ACTUS interface.
This configuration has enabled simpler setup and enhanced control. The Varèse Transport automatically syncs to a master clock signal via ACTUS (provided by the Varèse Clock, if present, or the Varèse Core if no clock is connected), removing the need for listeners to manually configure sync mode settings. The Transport can be connected via the Varèse User Interface, Varèse Remote Control, or Mosaic ACTUS app – giving listeners more ways to control Transport playback.
In its mechanical design and styling, the Varèse Transport matches the rest of the Varèse range, drawing on insights gained from extensive research to explore how we could further improve chassis design. The top, sides and front of the chassis are machined from a single piece of billet aluminium – an approach also seen in the Varèse Clock, Core and Mono DACS – with constrained layer damping between the chassis base and dress plates. Mechanism mounts are also milled from a single piece of aluminium, with no joins or fixings – all features devised to aid performance.
The Transport utilises the same mechanism seen in the Vivaldi Transport II and Rossini Transport, but this has been mounted with a new method that further reduces noise and physical vibrations.
Varèse Transport: Overview
Setup, Control & Use
Plays Redbook CDs in their native 44.1kS/s format and SACDs in their native DSD format
Connects to Varèse Music System via a single ACTUS cable running from the Transport to the Varèse Core – making it the simplest Transport yet to setup and install
Can be controlled via the Varèse User Interface, Mosaic ACTUS app and Varèse Remote Control
Technical Innovations & Unique Features
Bespoke dCS ACTUS interface ensures bit perfect transmission of native format audio streams from the Transport to the Varèse Core
New chassis design and mechanism mounting system further reduces vibration and noise – resulting in our quietest CD/SACD Transport to date, with the lowest vibration during playback
We are now accepting orders for the “Grandioso N1 Gold Edition” (limited-time, made-to-order) of the brand’s top-of-the-line all-in-one network player/DAC, the Grandioso N1, which features a new generation of discrete DAC and network engine. Shipments of the Gold Edition are scheduled to begin in January 2026.
TAD-A1000-S(シルバー) 3,080,000 YEN (税込) TAD-A1000-K(ブラック) 3,135,000 YEN (税込)
Technical Audio Devices Laboratories, Inc., today announced the TAD-A1000 integrated amplifier as the latest addition to its Evolution Series of hi-fi audio components. The TAD-A1000 also represents the inaugural TAD-branded integrated amplifier.
In the design of the TAD-A1000, we have integrated our proven amplifier technologies—including current-feedback amplification and resistance-ladder electronic volume control for preamplifiers, and a class-D analog amplification platform for power amplifiers—into a single unit. The TAD-A1000 harmoniously complements TAD’s Evolution Series speaker systems, delivering powerful and articulate sound, a hallmark of TAD’s tradition.
Main Features
1) Ultimate symmetry in circuitry and layout
The precise alignment of positive and negative currents that go through a speaker unit’s voice coils is paramount for driving its diaphragm with unparalleled accuracy. To achieve this, the TAD-A1000 employs a bridge-tied load (BTL) design that connects two distinct amplifiers in a balanced configuration for the left and right channels, spanning the input through output stages. This design ensures absolute symmetry between positive and negative power supplies. Furthermore, transformer coils, as well as rectifying, smoothing, and stabilizing circuits, are provided separately for each channel. This configuration achieves symmetry between the two channels in the circuit board layout and pattern—and even in wiring length. Our meticulous efforts to attain ultimate symmetry between left and right channels and between positive and negative signals extend further. The TAD-A1000 enhances its performance by incorporating separate grounding points for its pre- and power amplification stages.
2) High-capacity transformers with greater purity and efficiency
The TAD-A1000’s power supply is supported by a high-capacity toroidal transformer coupled with a linear regulator. To enhance the purity of the power supply, the internal coils of the transformer are directly connected to the power supply circuit, thereby minimizing their contact points with leading wires. Furthermore, terminals for directly connected coils, mounting terminals for circuit boards, and clamping screws are all fabricated from pure copper and coated with nonmagnetic materials to eliminate even the slightest magnetic distortions. The cross-sectional design of the transformer core was crafted into a circular shape, which improves the contact between the core and coils, thereby minimizing unwanted leakage magnetic flux and vibrations. This transformer provides power to the power amplifier, preamplifier, and control circuits, resulting in a robust power supply characterized by enhanced purity and responsiveness, which contributes to the exceptionally accurate driving of speaker diaphragms.
3) Immaculate preamplification circuit
The TAD-A1000’s flat amplifier in the preamplification stage features a high-performance, single-stage current-feedback amplifier, initially developed for Reference Series preamplifiers. To optimize signal complementarity, we evaluated the performance characteristics of each FET device and selected matching pairs for positive and negative elements in the TAD-A1000. This attention to detail has substantially enhanced the stability of its preamplification circuit.
The TAD-A1000’s volume knob exudes an exquisite aesthetic and tactile experience. Its installation atop high-precision ball bearings ensures an exceptionally smooth rotation. The center-mounted design embodies the symmetrical layout of the internal circuits, conferring upon the TAD-A1000 a refined, elegant appearance in the tradition of the Evolution Series of high-fidelity components.
5) Elaborate vibration-control design
The TAD-A1000’s preamplification stage, power amplification stage, transformer, and control circuit are physically separated into four distinct chambers within the case. This four-chambered internal construction effectively shields the entire unit against external vibrations and provides a robust and stable ground potential. Notably, its power supply section is mechanically and electrically shielded to minimize noise and enhance signal purity. The TAD-A1000’s sturdy body is supported by three feet, each equipped with an internally inverted spike. This design physically isolates the chassis from external vibrations transmitted through the floor. The minimal contact between the TAD-A1000 and the surface prevents external vibrations from affecting internal circuits and components. This comprehensive vibration-control design enables more condensed and energetic audio reproduction, preserving the spatial nuances of the music. The rear panel features heavy-duty, extra-large speaker terminals, similar to those found in the Reference Series power amplifiers. These terminals reduce mechanical and electrical stress on connected speaker cables, enhancing their stability and optimizing their performance.
6) TAD’s custom-made parts and components
We have incorporated a variety of our custom-made components and parts into the design of the TAD-A1000 to elevate its audio quality to unprecedented heights. TAD’s custom-designed electronic volume control features ladder-resistant switching, delivering exceptionally precise attenuation performance and a ultra-low distortion of less than 0.0005% at 1 Vrms input. Nonmagnetic capacitors and resistors are employed in the audio circuit to minimize magnetic effects. To prevent magnetic distortions from compromising sound quality, gold-plated OFC leading wires without nickel base-plating are utilized for resistors and low-distortion film capacitors that handle all- critical analog audio signals. Furthermore, chip resistors with nonmagnetic electrodes reduce current loops. Additionally, four large-capacity 33,000㎌electrolytic smoothing capacitors are employed in the power amplification stage. These capacitors are of TAD’s proprietary design, developed through rigorous testing and listening evaluations.
specificationsPower Output250 Wat 1 kHz, 4ΩRated DistortionLess than 0.05% at 1 kHz, 4Ω 125WSignal-to-Noise Ratio100 dB or moreFrequency Response10 Hz to 50 kHz, +0 dB/-3 dBGain41.5 dBInput Terminal (Impedance)4 balanced inputs (100 kΩ) 2 unbalanced inputs (50 kΩ)Power RequirementsAC 120 V, 60 Hz (United States) AC 220 V to 230 V, 50 Hz/60 Hz (Europe/Asia)Power Consumption130 WStandby Power Consumption0.5 W or lessDimensions440 mm (W) × 200 mm (H) × 553 mm (D)Weight29 kg
