Burmesterから、「 150 Music Player 」「 151 Musiccenter 」登場！！

海外ニュース速報 [World]

＊以下の画像はavcatにより加工処理されております。

Aesthetixから、「 Metis linestage 」登場！！

海外ニュース速報 [World]

Aesthetix Metis linestage
$20,000
Available 4th Quarter 2014

Aesthetix is proud to introduce their Metis linestage featuring our innovative new Aesthetix Coupling Modules, an “Invisible” Separate Power Supply, and a stunning new chassis design.

Aesthetix Coupling Module (ACM)

The Metis linestage utilizes highly proprietary Aesthetix Coupling Modules (ACMs) in place of traditional coupling capacitors. “I have been dreaming of this design for 20 years,” says Aesthetix founder and engineer Jim White. It is well known that capacitor quality is directly correlated with sound quality, and Aesthetix has a history of investing heavily in pushing the boundaries of capacitors. But Jim wondered, “Could even better sound quality be realized if capacitors were eliminated entirely?” The answer is yes, according to Metis, which uses an ACM in each channel between the gain and output stages and no interstage or output coupling capacitors. ACMs produce constant output impedance across all audio frequencies, while a standard capacitor’s output impedance rises as frequencies drop often yielding tubby bass and other sonic degradation. In contrast, the ACMs in Metis result in a sound stage with incredible added depth, dimension and resolution.

“Invisible” Separate Power Supply (ISPS)

The Metis chassis is designed around a suspended inner core that, when set on a flat surface, physically decouples from the main chassis. The power supply is housed in this inner core creating an “invisible” separate power supply chassis. When sitting on a rack, there is no physical connection between the power supply assembly and the main chassis, save for the connecting wires. This innovative design means Metis enjoys the sonic benefits of a separate power supply without the disadvantages of an additional chassis including extra cost, space and heat.

Stunning Design also means Open Architecture

The Metis user interface was developed with both elegance and flexibility in mind. The glowing panel of LEDs not only looks stellar, but the logic board controlling it offers access to a virtually limitless array of features and functions, like home theater bypass and absolute phase selection. The Metis also features Remote Control, 12 volt trigger and RS 232 interface.

Aesthetix at Heart

With its radical innovations, Metis also personifies Aesthetix’ fundamental design principles. The linestage uses 4 tubes, 2 per channel for all amplification in a true dual mono configuration, is fully balanced, uses zero feedback and has our discrete switched resister volume control. All inputs can be used single ended or balanced, and single ended inputs are internally balanced. The Metis chassis has extra large footpads housing massive HRS Nimbus Couplers for harmonic dampening.

Anticipated US Retail $20,000 Available 4th Quarter 2014.

＊以下の写真はavcatにて加工作成したものになります。メーカーのオフィシャル画像ではありません。

TADから、新スピーカー（プロトタイプ）登場！！年末発売予定。

海外ニュース速報 [World]

TADから、新スピーカーのプロトタイプが登場です。
年末発売予定。

＊以下の写真はavcatにて加工作成したものになります。メーカーのオフィシャル画像ではありません。

 

ORPHEUSから、「 Heritage Preamplifier 」「 Heritage Power amplifier 」登場！！Heritageラインが完成へ。

海外ニュース速報 [World]

・Heritage Power amplifier：　32,000 euro
Mono (1 x 1000W), Stereo (2 x 250 W) or bi-amp.
・Heritage Preamplifier： 　29,000 euro
External power supply

＊以下の写真はavcatにて加工作成したものになります。メーカーのオフィシャル画像ではありません。

OCTAVEから、新プリアンプ「 HP700 」登場！！

海外ニュース速報 [World]

＊詳細がわかり次第追記します。

＊以下の写真はavcatにて加工作成したものになります。メーカーのオフィシャル画像ではありません。

AudioResearchから、「 GALILEO 」シリーズ登場！！

海外ニュース速報 [World]

[youtube width=”670″ height=”542.3″]https://www.youtube.com/watch?v=z6IrO3zrfb4[/youtube]

[youtube width=”670″ height=”542.3″]https://www.youtube.com/watch?v=8e9ZP42JXpk[/youtube]

GSP
GS 150
GSI 75

KEFから、「 BLADE TWO 」登場！！

海外ニュース速報 [World]

Introducing KEF BLADE TWO

Iconic Blade range expanded – Same DNA, same striking appearance, same advanced driver technology and unique single apparent source configuration.

Model BLADE TWO
Design Three-way bass reflex
Single apparent source
driver configuration
Drive Units Uni-Q driver array:
MF: 125mm (5in.) Li-Mg-Al /LCP hybrid cone
HF: 25mm (1in.) Al dome
Bass units:
LF: 4 x165mm (6.5in.) aluminium
Frequency range free field (-6dB) 34Hz – 45kHz
Frequency range typical in room bass response (-6dB) 25Hz
Frequency Response (±3dB) 40Hz – 35kHz
Crossover frequency 320Hz, 2.4kHz
Amplifier requirements 50 – 400 W
Sensitivity (2.83V/1m) 90dB
Harmonic distortion 2nd & 3rd harmonics (90dB, 1m) <0.5% 40Hz – 100kHz
<0.2% 200Hz – 10kHz
Maximum output (peak sound pressure level at 1m with pink noise) 116dB
Impedance 8Ω (min. 3.2Ω)
Weight 41 kg (90.2lbs)
Dimensions – with plinth (H x W x D) 1461 x 338 x 475mm
(57.5 x 13.3 x 18.7in.)
Finishes
Piano black
Snow white
Racing red
Warm metallic grey
Light metallic silver
Frosted blue
Frosted copper black

＊白：BLADE　青：BLADE TWO

KEFから、「 THE REFERENCE 」シリーズ登場！！

海外ニュース速報 [World]

KEF THE REFERENCE
REFERENCE 5　$18,000 /pair
REFERENCE 3　$13,000 /pair
REFERENCE 1　$7,500 /pair
REFERENCE CENTER　$7,500 /piece
REFEreNCE SUBWOOFER　$5,500 /piece

THE REFERENCE: the standard by which others are judged, and to which they aspire. 

The perfect reproduction of recorded sound is what KEF’s legendary Reference Series has always stood for. And after 30 years of continuous development, the Reference has earned its name as the yardstick of high-end acoustic engineering.

If you’re a perfectionist when it comes to enjoying movies or music, it’s the one name that towers above the rest.

The Reference. It speaks for itself.

“A description was needed to convey the idea that every loudspeaker is subject to scrutiny at all stages of assembly, culminating in a final test comparison with a laboratory-maintained reference standard. So the method became the name: Reference.”

– Laurie Fincham, Engineering Director 1968-1991

Benchmark Technology
KEF has never been a ‘me too’. We create. And we never stop learning.
The list of KEF patents and innovations is unequalled. Although the Uni-Q point source driver array is our most famous breakthrough, it’s just one of many. There’s the unique ‘tangerine’ segmented waveguide. Cleverly stiffened and optimised aluminium domes. Sophisticated vented tweeters. The ingenious use of new materials to boost motor performance and power handling. Constrained layer damping. Acoustic Compliance Enhancement. The brilliant Z-flex surround – these and many others are what account for the reputation of KEF’s multi-award winning drivers.
No other manufacturer has done more to advance the state of the art – and no other model personifies KEF’s passion for perfection more than The Reference.

A Class Apart
With five models – two elegant three-way floorstanders, a formidable three-way bookshelf speaker, a three-way centre channel and an awesome 1000-watt sub – The Reference range combines benchmark high fidelity with complete multichannel versatility. And as you’d expect, they all exude the sense of sheer quality that comes from being hand built by KEF’s master technicians in Maidstone, Kent.

 

REFERENCE 5

Magnificent is the only word. KEF’s passion for perfection embodied in a tall three-way floorstander that aligns four powerful, extremely linear 165mm (6.5 inch) bass drivers – two above and two below KEF’s latest 125mm (5 inch) MF/HF Uni-Q array, with the sensational new 25mm (1 inch) vented aluminium dome tweeter at the acoustic centre. Lows are reproduced with consummate agility and control, fluidly integrating with the Uni-Q output to create an all-enveloping soundfield of spine-tingling accuracy and depth. For music or film, it reveals subtleties you’d never noticed while gripping your emotions with the full power of the performance.
Model REFERENCE 5
Design Three-way bass reflex
Drive Units Uni-Q driver array: HF: 25mm (1in.) vented aluminium dome MF: 125mm (5in.) aluminium Bass units: LF: 4 x165mm (6.5in.) aluminium
Frequency range free field (-6dB) Short port: 35Hz – 45kHz Long port: 32Hz – 45kHz
Frequency range typical in room bass response (-6dB) 25Hz
Frequency response (±3dB) 40Hz – 35kHz
Crossover frequency 350Hz, 2.8kHz
Amplifier requirements 50-400 W
Sensitivity (2.83V/ 1m) 90dB
Harmonic distortion 2nd & 3rd harmonics (90dB, 1m) <0.5% 40Hz – 100kHz <0.2% 200Hz – 10kHz Maximum output (peak sound pressure level at 1m with pink noise) 116 dB
Impedance 8Ω (min. 3.2Ω)
Weight 60.2kg (132.7lbs.)
Dimensions (H x W x D) (with grille and terminal) 1350 x 205 x 470 mm (53.1 x 8.0 x 18.5 in.) Dimension (H x W x D) (with grille, terminal & plinth) 1397 x 349 x 470 mm (55 x 13.7 x 18.5 in.)
Finishes Deep Piano Black, Satin American Walnut, Luxury Gloss Rosewood, Blue Ice White, Copper Black Aluminium

 

REFERENCE 3

Same DNA, more modest dimensions – and the same uncanny ability to generate an intricate, totally natural-sounding 3D soundstage. The two 165mm (6.5 inch) bass drivers are positioned perfectly above and below KEF’s latest 125mm (5 inch) MF/HF Uni-Q driver array in a D’Appolito configuration. Fidelity across the midrange and treble is outstanding, and the transitions imperceptible. And with Uni-Q’s broad inclusive dispersion, everyone in the room can enjoy the same rich, spatially precise acoustic imagery without being restricted to a narrow sweet spot. As well as putting you right at the heart of the original performance, it gives you the soul.
Model REFERENCE 3 Design Three-way bass reflex
Drive units Uni-Q driver array: HF: 25mm (1in.) vented aluminium dome MF: 125mm (5in.) aluminium Bass units: LF: 2 x165mm (6.5in.) aluminium
Frequency range free field (-6dB) Short port: 38Hz – 45kHz Long port: 35Hz – 45kHz
Frequency range typical in room bass response (-6dB) 28Hz
Frequency response (±3dB) 43Hz – 35kHz
Crossover frequency 350Hz, 2.8kHz
Amplifier requirements 50-300 W
Sensitivity (2.83V/ 1m) 87.5dB
Harmonic distortion 2nd & 3rd harmonics (90dB, 1m) <0.5% 40Hz – 100kHz <0.2% 200Hz – 10kHz Maximum output (peak sound pressure level at 1m with pink noise) 113.5dB
Impedance 8Ω (min. 3.2Ω)
Weight 51.3kg (113.1lbs.)
Dimensions (H x W x D) (with grille and terminal) 1155 x 205 x 470 mm (45.5 x 8.1 x 18.5 in.) Dimension (H x W x D) (with grille, terminal & plinth) 1202 x 349 x 470 mm (47.3 x 13.7 x 18.5 in.) Finishes Deep Piano Black, Satin American Walnut, Luxury Gloss Rosewood, Blue Ice White, Copper Black Aluminium

 

REFERENCE 1

All the jaw-dropping performance and innovative engineering pioneered for the critically acclaimed LS50 studio monitor, and then some. Reference 1 pairs KEF’s latest 125mm (5 inch) MF/HF Uni-Q driver array with the sensational new 165mm (6.5 inch) alloy cone bass driver to create a compellingly realistic sound stage out of all proportion to its size. Mounted on shelves or stands, Uni-Q’s inherently wide, even dispersion also makes it the perfect rear channel speaker in a home theatre system that effortlessly reveals all the subtleties encoded in modern soundtracks.
Model REFERENCE 1 Design Three-way bass reflex
Drive Units Uni-Q driver array: HF: 25mm (1in.) vented aluminium dome MF: 125mm (5in.) aluminium Bass units: LF: 1 x165mm (6.5in.) aluminium
Frequency range free field (-6dB) Short port: 40Hz – 45kHz Long port: 37Hz – 45kHz
Frequency range typical in room bass response (-6dB) 30Hz
Frequency response (±3dB) 45Hz – 35kHz
Crossover frequency 350Hz, 2.8kHz
Amplifier requirements 50-200 W
Sensitivity (2.83V/ 1m) 85dB
Harmonic distortion 2nd & 3rd harmonics (90dB, 1m) <0.5% 40Hz – 100kHz <0.2% 200Hz – 10kHz Maximum output (peak sound pressure level at 1m with pink noise) 111dB
Impedance 8Ω (min. 3.2Ω)
Weight 18.2kg (40.1lbs.)
Dimensions (H x W x D) (with grille and terminal) 440 x 205 x 430 mm (17.3 x 8.1 x 16.9 in.) Finishes Deep Piano Black, Satin American Walnut, Luxury Gloss Rosewood

 

REFERENCE CENTRE

As the main source of dialogue and vocals, the centre channel is critical to your enjoyment of what’s on screen. With KEF’s superlative new 125mm (5”) MF/HF Uni-Q driver array between four 165mm (6.5 inch) bass drivers, the Reference centre reproduces every last detail exactly as the director or the artist intended – spatially precise, stunningly clear and with a dynamic range that takes rapid transitions in its stride. For movie buffs looking for total immersion, it’s the perfect centre.
Model REFERENCE CENTRE Design Three-way bass reflex
Drive Units Uni-Q driver array: HF: 25mm (1in.) vented aluminium dome MF: 125mm (5in.) aluminium Bass units: LF: 4 x165mm (6.5in.) aluminium
Frequency range free field (-6dB) Short port: 43Hz – 45kHz Long port: 40Hz – 45kHz
Frequency range typical in room bass response (-6dB) 33Hz
Frequency response (±3dB) 48Hz – 35kHz
Crossover frequency 350Hz, 2.8kHz
Amplifier Requirements 50-400 W
Sensitivity (2.83V/ 1m) 90dB
Harmonic distortion 2nd & 3rd harmonics (90dB, 1m) <0.5% 40Hz – 100kHz <0.2% 200Hz – 10kHz Maximum output (peak sound pressure level at 1m with pink noise) 116dB
Impedance 3.2Ω minimum
Weight 45.2kg (99.6lbs.)
Dimensions – with grille, terminal & plinth (H x W x D) 205 x 1090 x 470 mm (8.1 x 42.9 x 18.5 in.) Finish Deep Piano Black, Satin American Walnut, Luxury Gloss Rosewood

 

REFERENCE SUBWOOFER

To experience the full impact of dramatic on-screen effects, bass definition and control are as important as extension. For power with accuracy, the Reference sub boasts two 500W Class D amps, each driving a 228mm (9 inch) long-throw, ultra-low distortion driver, connected back-to-back in the heavily braced, acoustically inert cabinet. Only a truly great subwoofer could do justice to Reference standards of home theatre, and it does.
Model REFERENCE SUBWOOFER Design Force cancelled closed box LF
Drive unit 2 x 225mm (9in.)
Frequency range at 90dB output in free-space mode (-6dB) 18Hz
Frequency response at 90dB output in free-space mode (±3dB) 24Hz
Amplifier 2 x 500W Class D with switched mode power supply and DSP based control section Maximum output (peak sound pressure level at 1m 50Hz) 110dB
Low pass filter variable Variable frequency: 40Hz to 160Hz Variable slope: 12dB/oct, 18dB/oct, 24dB/oct LFE mode: 350Hz, 18dB/oct
Low level signal inputs RCA phono sockets Analog XLR socket
Link out RCA phono sockets
Speaker level input Yes
Net internal volume 23L
Weight 35kg (77.2lb)
Dimensions (H x W x D) 398 x 365 x 429 mm
Power requirements 100V – 120V / 220V – 240V ~50/60Hz
Power consumption 1000W
Finishes Deep Piano Black

Sonusfaberから、Aidaの弟モデルとなる新スピーカー「 Lilium 」登場！！

海外ニュース速報 [World]

[youtube width=”670″ height=”542.3″]http://www.youtube.com/watch?v=DU9Li7yckw8[/youtube]

Sonusfaber Lilium

Featured

“LYRA SHAPE” DESIGN
“Lyra shape” design, progressive thickness triple curvature cabinet walls damped spread resonance spectrum system, Sub–structural ribs are strategically placed for total rejection of spurious vibrations and standing waves control.

INFRA WOOFER
Sonus faber SW26 XT-08.  Sonus faber designed a 260 mm infra woofer, lightweight hard paper composite sandwich cone  technology for a maximum rigidity and implemented it in an acoustically amorphous passive radiator tuned separated enclosure.

CROSSOVER
Non-resonant design, optimized amplitude/phase response for optimal space/time performance. “Paracross topology”. The impedance at low frequencies is controlled for a clear and friendly amplifier performance.

TWEETER
Sonus faber “Arrow Point” DAD (Damped Apex Dome, synthesis of the classic dome and ring transducer) H28 XTR-04. A Sonus faber designed 28 mm moving coil driver, with Sonus faber’s vibration optimized mechanical interface.

 

TECHNICAL SPECIFICATION

SYSTEM
3.5 way, orthogonal non interactive dual enclosure, para-aperiodic vented box “Stealth Reflex System” on the main enclosure, passive radiator tuned and “Zero Vibration Transmission” technology on the subwoofer enclosure , modulation-free  90° and decoupled from the main one, staggered low frequency floorstanding loudspeaker system.

CABINET
“Lyra shape” design, progressive thickness triple curvature cabinet walls damped spread resonance spectrum system, Sub–structural ribs are strategically placed for total rejection of spurious vibrations and standing waves control. Two double “dampshelves” (from “The” experience), i.e. CNC anodized machined avional “vibration dampers” (on the top and on the bottom of each cabinet) “stiffen” the column structures reducing consistently structural micro-vibrations coming from the cabinets’ walls and the transducers.  The “Anima legata” system is used in an innovative way, encompassing the structural ribs of the subwoofer enclosure. A special steel rod, a high speed mechanical interface, concentrates the remaining micro-vibrations conveying them to the dual multiple “Tuned Mass Dampers”, i.e. two differently tuned special custom devices optimized to erase micro-vibrations, by oscillating in anti-phase. The subwoofer enclosure has been decoupled from the main enclosure through a new implementation of the Zero Vibration Transmission technology, a suspension system, eliminating any acoustic feedback and any vibration propagation to the listening room.  The radiation of the main enclosure and of the subwoofer one are orthogonal to avoid any intermodulation.

TWEETER
Sonus faber “Arrow Point” DAD (Damped Apex Dome, synthesis of the classic dome and ring transducer) H28 XTR-04. A Sonus faber designed 28 mm moving coil driver, with Sonus faber’s vibration optimized mechanical interface. The ultra dynamic linearity is given by the new Neodymium motor system. Implemented with a natural wood acoustic labyrinth rear chamber,  a mechanical anti-resonator designed for this application.

MIDRANGE
Sonus faber M18 XTR-04. A Sonus faber designed 180 mm neodymium magnet system ultra dynamic linearity midrange. CCAW wire is used on a composite former “eddy current free” voice coil. The dynamically linear magnetic field motor incorporates triple Kellog/Goeller rings. A special custom diaphragm is made with a real time air dried non pressed blend of traditional cellulose pulp, kapok, kenaf and other natural fibers, developed according to the most natural sound. To further inhibit any residual cone coloration we are using a transparent viscous surface damping coating. The same way as the tweeter, the midrange is decoupled from the main baffle board and designed synergistically with its optimized “acoustic chamber”. A special coaxial anti-compressor is used, designed to remove cavity resonances and distortions.

WOOFERS
Sonus faber W18XTR-16. A triple of Sonus faber designed 180 mm lightweight “sandwich” cone structure (high-tech syntactic foam core and two external surface skins of cellulose pulp) woofers are integrated in an acoustically amorphous “stealth reflex” chamber. Designed to blend perfectly with the special midrange and, at the same time, to have absolute definition in their range: the sandwich structure with outer paper pulp skins has the same sonic character of the midrange cone. A powerful long stroke motor system with a 1,5” controlled “eddy current” voice coil is implemented for high speed, performance and linearity.

INFRA WOOFER
Sonus faber SW26 XT-08.  Sonus faber designed a 260 mm infra woofer, lightweight hard paper composite sandwich cone  technology for a maximum rigidity and implemented it in an acoustically amorphous passive radiator tuned separated enclosure. The unit features a very powerful long throw motor with a 2.5” voice coil for ultra dynamic linearity. To perfectly match the low-end performance to different listening rooms it is possible to adapt the SPL of the infra woofer.

CROSS-OVER
Non-resonant design, optimized amplitude/phase response for optimal space/time performance. “Paracross topology”. The impedance at low frequencies is controlled for a clear and friendly amplifier performance. Double staggered transfer function low frequency/room interface optimized filter. Highest quality is used in terms of the components: Mundorf “Supreme” Silver/Gold/Oil capacitors, Jantzen inductors. Cross-over: 80Hz – 250 Hz – 2500Hz.

FREQUENCY RESPONSE 20 Hz – 35.000 Hz, Stealth reflex included.
SENSITIVITY 92 db SPL (2.83V/1 m).
NOMINAL IMPEDANCE 4 ohm.
POWER HANDLING 100W – 800W, without clipping.
DIMENSIONS 160mm x 491mm x 705mm (HxWxD).
WEIGHT 103 Kg each – net weight 156 kg per pair – shipping weight
(The shipping weight may slightly change from time to time because different humidity values over the year might affect the wooden boxes’weight).

Weissから、30周年記念限定「 MAN301DAC-A 」ゴールドモデル登場！！

海外ニュース速報 [World]

This year we celebrate the 30 year anniversary of Weiss Engineering.

We took the opportunity and created the gold plated MAN301DAC-A, available in a limited edition, manufactured during 2014 exclusively. The MAN301DAC-A sports the new DAC section with ultimate audio performance.

New D/A Converter section for MAN301. The MAN301 now offers two different D/A Converter sections to choose from. The current MAN301DAC model sports a high quality D/A Converter section which is based on our renowned DAC202 D/A Converter unit.

Enter our newly designed D/A Converter section: Based on our discrete single ended output Operational Amplifier (OP-Amp) design, it uses a discrete, balanced output OP-Amp design which performs at a stellar level.

Existing MAN301SERVER or MAN301DAC units can be easily upgraded with the new design.

Key features:
・Weiss 30th Anniversary Limited Edition. Manufactured in 2014 exclusively.
・Gold chrome chassis, the most luxury finish in Weiss history.
・Premium Golden DAC module. This is based on Weiss own flagship discrete single ended output Operation Amplifier (OP-Amp) design. It uses a discrete, balanced output OP-Amp design which performs at a stellar level.