It is a great pleasure for us at MUTEC to present thisspecial edition of the MC3+ USB exclusively to you.
Japan has always been a very important and inspiringmarket for our company, and we deeply value thepassion and precision with which you approach music.
This gold version was developed in close dialogue withour Japanese partners （ヒビノインターサウンド株式会社） – as a tribute to your dedication to high-qualitysound and aesthetic excellence.
We hope this limited model will find a special place inyour system and bring you many unforgettable listeningexperiences.
Qobuz Connect is a feature that allows you to control your devices directly from your Qobuz app—but that’s not all! With Qobuz Connect, you will be able to: – Control your Hi-Fi music from the Qobuz app – Do without third-party apps – Pick up where you left off & switch from your headphones to your Hi-Fi system, and your music will continue from the exact moment you left off for a smooth, uninterrupted listening
We are pleased to announce that the following models already support Qobuz Connect: Aavik S 180, 280 and 580 and Aavik SD 880.
The D10 sets a new standard in optical disc playback, establishing itself as the most advanced transport ever created. Its design draws directly from the D1.5’s critical insights and proven architecture. Expanding on the foundation of its sibling, the D10 redefines every aspect of disc data retrieval, setting a new standard for precision and fidelity.
A Transport Without Compromise
At the heart of the D10 is CH Precision’s innovative MORSE (Mechanically Optimized Reading & Stability Enhancement) laser mechanism. Entirely designed and engineered by CH Precision, MORSE sets unparalleled benchmarks in mechanical precision, stability, and data extraction accuracy. Improving upon the single-material design of the D1.5, the D10’s suspended transport platform employs a sophisticated composite construction—an aluminum skin encasing a dense brass core—that significantly enhances vibration-damping properties and overall mechanical robustness. Supported by alpha-gel isolators and weighing an impressive 13 kilograms, over ten times heavier than its predecessor’s mechanism, the MORSE mechanism effectively suppresses vibrations to below 20 Hz, significantly reducing mechanical noise and preserving the integrity of the digital signal.
Silence. Stability. Sonic Truth.
Among the many innovations in the D10 is a precision circular level mounted directly on the transport. This critical feature allows for exact calibration of the optical pickup, independent of the chassis, optimizing rotational stability and ensuring precise disc tracking. By addressing this often-overlooked aspect of transport design, CH Precision reveals musical nuance, spatial depth, and temporal accuracy that more conventional solutions leave obscured.
A motorized top-loading mechanism provides vertical access to the Disc Vault, sealed by a hybrid-action door that reflects the same engineering precision and intent found throughout. Every mechanical choice has been made in service of the music—capturing each disc with absolute accuracy and unlocking a level of resolution, space, and natural expression that redefines what optical playback can achieve.
The Power Behind Precision
Like all 10-Series reference components, the D10 Reference Transport utilizes a dedicated external power supply (PSU). Engineered with exceptional current and voltage reserves comparable to many power amplifiers, the PSU delivers stable, ultra-clean power to the transport mechanism, minimizing noise and preserving digital signal integrity.
Four galvanically isolated domains independently supply the transport motor, control, DSP, and master clock, eliminating crosstalk and ensuring pristine electrical conditions. Cascaded regulation throughout guarantees consistently clean, stable current to every subsystem. With a total mass of 66 kg (145 lbs) including the power supply, the D10 firmly establishes itself as the ultimate heavyweight in digital reproduction.
CH Precision’s unwavering dedication to engineering integrity guarantees precise, flawless data retrieval from SACD, CD, and MQA CD optical discs. Laser tracking accuracy is maximized, read errors are minimized, and time-domain integrity is preserved. The sonic result is profound musicality: enhanced transparency, expanded soundstage depth, greater low-level detail, and authentic timing and flow, revealing the emotional depth and nuance of every recording.
D10 Reference Transport
MORSE (Mechanically Optimized Reading & Stability Enhancement) Transport
Advanced optical disc mechanism engineered for ultimate accuracy and stability in digital playback.
Massive Vibration-Attenuating Structure
13 kg pickup assembly suspended by alpha-gel isolation, offering tenfold improvement in vibration attenuation compared to the D1.5, effective down to 20 Hz.
Precision Integrated Circular Level
Onboard leveling tool integrated directly on the suspended MORSE transport, enabling precise leveling of the optical pickup mechanism itself rather than merely the external chassis.
Galvanically Isolated Power Supply Architecture
Four dedicated, isolated power supply groups independently feed critical subsystems: clock, DSP, transport motor, and transport control electronics.
Cascaded Dual-Chassis Power Supply
Dedicated external and power supply, featuring cascaded regulation for unmatched electrical purity and system stability.
Motorized Disc Access
Vertically accessible optical Disc Vault, secured by an advanced motorized sealing door with dual-motion hybrid mechanism ensuring smooth, precise, and protected disc handling.
SACD: single layer and hybrid stereo, DSD 1‑bit/2.8224MHz (scarletbook).
Digital Audio Outputs
CH LINK HD
Proprietary data link supporting high-definition uncompressed audio and control. Cyphered operation for high-resolution signals (DSD). LVDS signaling for all audio signals (incl. clocks).
16‑bit/44.1 or 24‑bit/88.2kHz (CD, MQA‑CD).
1‑bit/2.8224MHz (SACD).
AES/EBU (consumer format)
XLR connector, 2.5Vpp diff., 110Ω.
16‑bit/44.1 or 24‑bit/88.2kHz (CD, MQA‑CD).
24‑bit/44.1, 88.2, 176.4kHz or 1‑bit/2.8224MHz DoP encoded (SACD).
Coaxial (S/PDIF)
RCA connector, 0.5Vpp, 75Ω.
16‑bit/44.1 or 24‑bit/88.2kHz (CD, MQA‑CD).
24‑bit/44.1, 88.2, 176.4kHz or 1‑bit/2.8224MHz DoP encoded (SACD).
Optical TOSLINK (S/PDIF)
Standard TOSLINK optical connector.
16‑bit/44.1 or 24‑bit/88.2kHz (CD, MQA‑CD).
24‑bit/44.1, 88.2, 176.4kHz or 1‑bit/2.8224MHz DoP encoded (SACD).
Options
Clock Sync Board
One 10MHz input and two 10MHz outputs (on BNC connectors) for synchronisation with a 10MHz external clock like the CH Precision T1 Time reference.
Power supply
Selectable 100V, 115V or 230V AC, 47Hz to 63Hz
Power consumption
Standby: < 1W Normal operation: Max 100W
Operating conditions
Temperature: +5°C to +35°C Humidity: 5% to 85% (no condensation)
Dimensions/Weight
Net: 440 x 440 x 133mm x 2 (W x D x H x Casings), 64kg Gross: 800 x 600 x 300mm x 2 (W x D x H x Casings), 76kg
We have maximised the potential of every cubic millimetre within Klimax Solo 500’s machined-from-solid enclosure to create an amp that is an improvement over its legendary predecessor in every conceivable way – one that, crucially, still boasts a compact form factor.
Solo 500 performs optimally from the moment it’s powered on for the first time, and throughout its long lifespan; an amplifier that can be driven hard for protracted listening sessions of wildly dynamic material, and yet remain silently cool; an amplifier with huge available power, devastatingly low noise floor, and eighty-five times lower distortion measurements than its predecessor. Solo 500 is a small amp, with big credentials.
Hybrid Cooling Matrix
Klimax Solo 500 features a brand-new thermal management system—a hybrid cooling matrix—which ensures that the amplifier remains cool and whisper-quiet at all times. During everyday use, a hard-anodised thermal plate deep mounted deep within the amp draws heat away from the internal electronics. This plate is bedecked with a series of precision-machined fins—designed and optimised with the aid of simulation software—forming a labyrinthine network of precisely measured channels. This efficient system radiates heat up and out of the amp’s casework.
When Solo 500 is pushed hard for protracted listening sessions, the hybrid cooling matrix gets really clever. Solo 500 switches to active cooling by way of two internal fans which force cool air between the fins atop the thermal plate. Controlled by an FPGA processor in real-time, the required fan speed is determined by a combination of the amp’s internal temperature and the audio signal. This ensures that the fans run inaudibly, at the lowest speed possible, whilst providing ample cooling to maintain ideal performance, listener experience, and efficiency.
Adaptive Bias Control
Adaptive Bias Control is a key factor in Klimax Solo 500’s devastatingly low noise floor. As a result of its implementation, Solo 500 measures eighty-five times lower total harmonic distortion and noise than its predecessor under typical listening conditions.
Solo 500 persistently measures and adjusts bias current at its output to be ideal at all times; at any temperature, regardless of volume or sudden dynamic changes in the music signal it receives, and for the entirety of its long life. Crucially, this means that Solo 500 will perform identically to its neighbours, thus ensuring flawless and consistently balanced performance between all amplification in the system — permanently.
Design & Build
Solo 500’s overall aspect is one of minimalist and sophisticated beauty. Upon closer inspection, its machined-from-solid casework is punctuated by finely designed and characterful details.
With a seamless construction composed exclusively of three aluminium pieces—baseplate, enclosure and rear panel—Solo 500 gives the impression of a congruous whole aluminium mass.
A variable fillet cut in the aluminium grows towards a chamfered edge and eye-catching centrepiece; a back-lit Linn badge in the centre of a miniature roundel, with radial-grooved chrome trim and a steel outer ring. The badge assembly has depth; reflecting light dynamically when viewed from different positions. Each amp in the system will reflect light and create its own shadows, contributing to Solo 500’s characterful statement aesthetic
With Solo 500, our latest top-tier innovations powerfully coalesce into the best compact monoblock amplifier we have ever made. The synergistic combination of Adaptive Bias Control, sophisticated hybrid cooling matrix with intelligent fan management, and Utopik power supply, results in a Class AB amplifier that is far greater than the sum of its parts, yet remarkably smaller than its counterparts. We’ve expertly miniaturised and arranged our flagship amplifier and power supply technologies inside its sleek and minimalist casework. Its neat size lends itself particularly well to active setups and scenarios where space is at a premium.
40,000.00 USD/ 43,999.00 EUR/ 37,999.00 GBP for a single .
NORTHRIDGE, Calif. — May 15, 2025 —HARMAN Luxury Audio Group today announced the launch of the Mark Levinson 600 Series, a bold new chapter in the brand’s legendary pursuit of musical fidelity. Making its world debut at HIGH END Munich 2025, the 600 Series redefines what’s possible from preamplifiers and amplifiers, delivering an experience of power, precision, and purity that is unmistakably Mark Levinson.
The series introduces three new reference components: the № 626 Dual-Monaural Preamplifier, the № 632 Dual-Monaural Amplifier, and the flagship № 631 Monaural Amplifier—all designed, engineered, and assembled in the USA.
“The Mark Levinson 600 Series reflects more than 50 years of mastering the art and science of sound,” said Jim Garrett, Senior Director, Product Strategy and Planning, HARMAN Luxury Audio. “It’s about more than technical excellence, it’s about capturing the emotion, power, and nuance of a musical performance with breathtaking clarity. With its bold new design and uncompromising performance, the 600 Series pays tribute to our legacy and sets out to exceed the expectations of the most discerning listeners.”
Crafted for Those Who Demand More
For over five decades, Mark Levinson has earned its place among the most revered names in high-fidelity audio. The new 600 Series continues this tradition with components that are as visually commanding as they are sonically transparent. Each model is built upon Mark Levinson’s proprietary Pure Path circuit philosophy and features the brand’s iconic Tectonic industrial design, which is sculpted from solid aluminum and accented with red signature lighting that glows like embers beneath volcanic glass.
Every detail, from the custom-machined enclosures to the glass core and mechanically isolated foot architecture, speaks to the brand’s commitment to performance and purity. These are components not just meant to be heard, but felt.
№ 626: Where Analog Soul Meets Digital Precision
The № 626 Dual-Monaural Preamplifier is a celebration of sonic fidelity blending an all-analog signal path with a high-resolution digital core. At its heart is the Precision Link III DAC, capable of decoding up to 32-bit / 384kHz PCM and native DSD audio through its six digital inputs. The analog stage is anchored by a fully balanced Pure Path architecture, while a Pure Phono MM/MC phono stage and Main Drive Class A headphone amplifier make the № 626 a complete solution for every source. Designed with modular isolation, dual power supplies, and vibration-damped foot architecture, this is a preamplifier that lets the music speak for itself and say everything.
№ 632 and № 631: Pure Power, Unbound Emotion
Designed for those who demand authority and refinement in equal measure, the № 632 Dual-Monaural Amplifier and № 631 Monaural Amplifier deliver dynamic headroom and clarity that unveil the full scale of a performance.
Both amplifiers feature Class A/AB operation, Pure Path fully balanced signal paths, and robust toroidal power supplies housed within their own dedicated modular chassis. The № 632 offers stereo flexibility and dual-mono separation, while the № 631 delivers uncompromised performance as a single-channel powerhouse, unleashing music with stunning impact, tonal depth, and holographic imaging.
Whether driving the most demanding loudspeakers or resolving the most delicate passages, the 600 Series amplifiers deliver music with breathtaking dimensionality and grace
19,995.00 USD/ 17,498.00 EUR/ 14,998,00 GBP per pair
JBL Summit Pumori
29,995.00 USD/ 30,998.00 EUR/ 26,998.00 GBP for a pair
JBL Summit Makalu,
44,995.00 USD/ 43,998.00 EUR/ 36,998.00 GBP for a set of
May 15, 2025
Unveiling the Pinnacle of Loudspeaker Design at HIGH END Munich 2025
NORTHRIDGE, Calif. — May 15, 2025 —HARMAN Luxury Audio Group today announced the world debut of three new additions to the JBL Summit Series, a breathtaking expression of JBL’s most advanced loudspeaker craftsmanship. Premiering at HIGH END Munich 2025, the expanded Summit Series now spans five models — including the iconic JBL Everest and K2 — and introduces three new designs — Makalu, Pumori, and Ama — crafted for the world’s most discerning listeners.
“The JBL Summit Series is the culmination of everything JBL stands for — acoustic precision, timeless design, and an emotional connection to music,” said Jim Garrett, Senior Director, Product Strategy and Planning, HARMAN Luxury Audio. “With these new models, we are honoring our heritage while pushing the boundaries of sound reproduction further than ever before.”
Crafted for the Peak of Performance
From Project Everest to the present, JBL has spent decades reaching new altitudes in acoustic innovation. The Summit Series continues that legacy — a testament to 80 years of engineering and passion for sound. With the addition of Summit Makalu, Summit Pumori, and Summit Ama, JBL offers a lineup that blends refined design, proprietary technologies, and unmatched dynamic performance. Each model is inspired by a Himalayan peak and crafted to deliver unparalleled sound reproduction that stirs emotion and reveals new layers in every recording.
Summit Makalu: A Force of Nature
Named after Makalu, the world’s fifth-highest mountain and an imposing pyramid-shaped peak located just 19 kilometers (12 miles) from Everest, the Summit Makalu commands attention with its bold stature and breathtaking sonic scale. As the flagship of the new additions, this 3-way floorstanding loudspeaker is designed to anchor large, immersive listening spaces with deep, articulate bass and soaring midrange detail. A 12-inch woofer and 8-inch midrange driver — both utilizing JBL’s proprietary HC4 composite cones — work in harmony with the patented D2 compression driver and precision-molded HDI™ Sonoglass® horn to deliver stunning dynamics and crystal-clear imaging. The Makalu’s contoured cabinet, offered in rich ebony veneer with gold accents or high-gloss piano black with platinum detailing, makes a powerful visual statement befitting its namesake.
Summit Pumori: Balanced and Bold
Inspired by Mount Pumori, affectionately known as the “Daughter of Everest,” the Summit Pumori captures the mountain’s grace and strength in sonic form. This 3-way floorstanding model is meticulously voiced for musical balance and purity. Its 10-inch woofer and 8-inch midrange driver are tuned to bring lifelike scale and warmth to every performance, while JBL’s signature D2 compression driver and HDI™ horn architecture preserve nuance and clarity. With its softly contoured cabinet, luxurious finishes, and emotionally engaging performance, Pumori delivers a transcendent listening experience grounded in heritage and beauty.
Summit Ama: Clarity in Compact Form
Derived from Ama Dablam, one of the Himalayas’ most iconic and picturesque peaks whose name means “Mother’s Necklace,” the Summit Ama is a compact masterpiece designed to reveal the heart of the music. This 2-way stand-mount loudspeaker pairs an 8-inch HC4 cone woofer with a D2 compression driver and HDI™ horn to deliver exceptional clarity, control, and coherence across the frequency spectrum. The Summit Ama’s elegant cabinet rests on a matching steel-and-aluminum stand.
Timeless Design, Legendary Craftsmanship
From their finely sculpted enclosures to the luxurious finishes, each Summit Series loudspeaker is crafted with meticulous attention to detail. Cabinets are heavily braced, softly contoured, and built to eliminate resonance. Binding posts are wrapped in carbon fiber and plated in rhodium. JBL’s proprietary MultiCap™ crossover network ensures purity and performance throughout the entire audio chain. Each model integrates JBL IsoAcoustics™ adjustable isolation feet — ensuring that its sound remains as pure as the mountains that inspired them. These loudspeakers are not just engineered — they are artfully crafted for those who view listening as a pursuit of something greater.
The new additions to the JBL Summit Series will be globally available later in 2025 through authorized JBL retailers and partners. The recommended retail prices are 19,995.00 USD/ 17,498.00 EUR/ 14,998,00 GBP per pair for the JBL Summit Ama including stands, 29,995.00 USD/ 30,998.00 EUR/ 26,998.00 GBP for a pair of JBL Summit Pumori and 44,995.00 USD/ 43,998.00 EUR/ 36,998.00 GBP for a set of JBL Summit Makalu, respectively.
Sabrina V pioneers a groundbreaking addition to the Wilson Audio materials library: H-Material. Developed as a high-density composite with organic and phenolic properties, this front baffle advancement sets a new benchmark in performance engineering. H-Material is similar to X-Material in inflexibility, yet slightly softer with different construction, which lends itself to be more musical in the mid-range than SabrinaX with its use of X-Material as a baffle substrate
Drivers
At the heart of the Sabrina V lies a symphony of advanced driver technologies shared with Wilson Audio’s most celebrated flagships. The Convergent Synergy Carbon (CSC) tweeter, originally developed for the Alexx V, delivers an astonishingly natural high-frequency response. This lightly coated textile dome tweeter seamlessly blends with the AlNiCo mid-range and 8-inch woofer. The CSC offers extended linearity, refined harmonic detail, and a natural sense of acoustic space.
Wilson Audio has integrated its beloved 7-inch AlNiCo (Aluminum – Nickel – Cobalt) QuadraMag mid-range driver into its smallest floorstanding loudspeaker, the Sabrina V. Originally, it was developed for the Chronosonic XVX and utilized in the Alexx V, Alexia V, Sasha V, and The WATT/Puppy. The AlNiCo QuadraMag driver is renowned for its exceptional ability to settle and maintain linearity resulting in greater depth and dimensionality.
The same 8” woofer used in the Sasha V and The WATT/Puppy anchors the low frequencies and foundation of the Sabrina V system. This driver is specifically chosen for its agility and authority resulting in bass that is articulate, textured, and intimately tied to the rhythm of the music.
Hardware & Resistor Access
Refining the rear bass port dimensions and the mid-range vent geometry has revealed deeper, more natural low frequencies while filling your room with warmth and soundstage dimension.
New rear-panel resistor access simplifies service and tuning— a welcome shift from the previous Sabrina bottom-mount approach. Resistors are secured with high quality tool-less thumbscrews, which makes tweeter and mid-range resistor changes swift and intuitive. This new access point on the back of the enclosure is accentuated with a beautifully machined aluminum frame with the Sabrina V logo.
V-MCD
Taking a page from the Wilson Audio Acoustic Diode design, V-Material has been nested and integrated into the bottom of the Sabrina V enclosure where the spike diode interfaces. This upgraded isolation technology (V-MCD) and enhanced vibration control provide an even quieter background, letting your favorite recordings unfold effortlessly. This is music reproduction at its finest — it feels deeper and more alive. If there are room related issues with vibration management, Sabrina V’s spike thread size enables an easy and direct upgrade path to Wilson Audio Acoustic Diodes if one wishes to further enhance the isolation in their system.
Coltrane Supreme Extreme is the most advanced loudspeaker we have ever created. With its dual-tower and bespoke drivers, it delivers outstanding resolution and dynamic power. It features the largest beryllium midrange ever created, Crystalid mid-bass units, and a carbon fibre monocoque cabinet strengthened by solid wood and aluminium. Each pair takes over 800 hours to build, complete with Jorma Paragon cabling and custom Marten terminals. Shown as a static display, it offers a rare chance to see our most ambitious project ahead of its official launch later this year.
1″ pure diamond tweeters
3″ pure diamond high midrange
7″ pure beryllium midrange (largest ever built)
Four 8″ Crystalid mid-bass drivers
Five 10″ aluminium sandwich bass drivers
Ten 10″ aluminium sandwich passive radiators
Proprietary first-order crossover
Jorma Paragon internal wiring
Carbon fibre faceplate
Bespoke Marten terminals
Mirror-polished stainless steel stands with new upgraded Marten Isolators
Finishes: Matte Walnut, Matte Cherry, Matte Maple, Matte Oak
Dimensions: Main – 30 × 182.2 × 63.5 cm (140 kg) Bass – 70 x 182.2 x 63.5 cm (270 kg)
At YG Acoustics, our greatest inspiration has always been the relentless pursuit of what is possible in audio reproduction. Every day, our team at the Cambridge R&D centre brings passion and ingenuity to pushing these boundaries forward. Our lab is equipped with some of the world’s most advanced acoustic and vibration measurement facilities. Benefitting from cutting-edge simulation technology and five years of detailed research on how human ears perceive musical sound, we’ve can explore new ideas and technologies faster and more thoroughly than ever before.
Our new Ultimate range embodies this relentless spirit. After three years of dedicated development, we proudly present Gemini, the most ambitious loudspeaker YG Acoustics has ever created. Gemini represents our collective vision, designed not just to demonstrate our newest innovations but to connect listeners deeply and intimately with their music, surpassing expectations and creating experiences filled with genuine emotion.
Standing over two meters tall, each Gemini speaker houses a precisely arranged seven-driver symmetrical array supported by a custom-designed sub-bass driver.
Our revolutionary lattice tweeter is supported by 15cm midrange, 18cm mid and 26cm bass drivers, each as a pair above and below the tweeter. Simulation and listening showed the extraordinary advantages of a carefully designed symmetrical arrangement like this. Every driver is meticulously phase-aligned with its neighbors across an extensive frequency range, ensuring a true point-source listening experience.
This approach provides exceptional sound clarity, realistic imaging, and a remarkably flexible listening area—placing you firmly at the heart of the music, whether whisper-quiet or at concert volumes.
The Gemini cabinet showcases our obsessive attention to detail. Constructed from three layers of specially selected aluminium alloy, each separated by precision-engineered damping materials, it achieves extraordinary rigidity and resonance control. The front faceplates are machined from solid, aerospace-grade aluminium, heat-treated to optimize their crystalline structure, then precisely milled to tolerances of a thousandth of a millimeter. Internally, advanced bracing and strategically placed diffusers/absorbers eliminate unwanted reflections, allowing the drivers to perform flawlessly.
Our crossover design is a true testament to the art and science of speaker engineering. Utilizing the very best components available, it is built on a bespoke multilayer PCB material with advanced dielectric properties and internal resonance damping. Each crossover circuit is precisely milled in-house from extra-thick, high-purity copper, with traces optimised through simulation to eliminate interference and distortion. The crossover itself is housed externally, in an elegant enclosure crafted entirely from a specially selected polymer material, which eliminates any field interactions with the crossover signal.
Technical mastery aside, the true measure of Gemini is how profoundly it moves you. Every innovation, every precise machining step, every carefully selected component—these are simply means to a more significant end: the purest, most immersive musical experience imaginable.
Gemini is offered in three distinct versions:
Gemini Passive: A fully passive five-way, eight-driver configuration with an external crossover, accommodating from one to five amplification channels per tower.
Gemini Sub:Combines a fully passive four-way system with a dedicated external 1kW amplifier for sub-bass frequencies, carefully phase- and time-aligned to blend seamlessly with the passive drivers, supporting from one to four amplification channels per tower.
Gemini Live: A fully integrated audio solution, with each channel featuring an external audiophile-grade amplifier and advanced DSP crossover, all connected via glass optical fibre to the Live Controller, providing Roon-Ready streaming alongside comprehensive digital and analogue connectivity.
At YG Acoustics, the Gemini is more than just a speaker; it’s a heartfelt expression of our passion for music and engineering excellence—a benchmark of what is achievable when innovation meets relentless dedication.
Speaker Type
5-way floor-standing loudspeaker
Available in passive, Active Bass and Live versions
Triple layer, aerospace aluminum cabinet with constrained layer damping
Drivers
Lattice hybrid tweeter with advanced airframe
Dual 15 cm (6”) BilletCore drivers, advanced neodymium motor magnets, exceptional set matching
Dual 18.5 cm (7.25”) BilletCore drivers, advanced neodymium motor magnets, exceptional set matching
Dual 26 cm (10.25”) BilletCore drivers, ultra-high field strength motor, exceptional set matching
32cm (12.5”) BilletCore driver, ultra-high field strength motor, exceptional set matching
Configurations
Passive: External crossover with Ultracoherent circuits at 35 Hz, 90 Hz, 360 Hz and 1.85 kHz
Active Bass: External crossover with Ultracoherent circuits at 90 Hz, 360 Hz and 1.85 kHz. 1kW audiophile bass amplifier with DSP tuned crossver for 32cm driver, supporting room correction
Live: External amplifier with 8 x 700W audiophile amplifiers per tower, with optimized DSP crossover, linked by glass optical fibres to Live Controller with ROON Ready streaming, analogue and digital inputs and high quality phono stage
Passive Crossover
Custom components unique to each pair, individually optimized for frequency response, phase alignment, phase slope and transient response
Custom capacitors, including pure metal foil models and special copper alloy foil models
Exceptional components such as manganin foil resistors, resonance-damped inductors, silver-gold alloy capacitors and OFC Litz inductors
Custom, anti-resonance PCB with low dielectric constant and dissipation factor, with optimized traces
